Das Wohltemperierte Clavier I, Praeludium IV
Description
Before one of the few five-voice fugues in the collection, a large work known for handling three subjects, Bach sets this quiet, song-like prelude in C-sharp minor. It is the fourth piece of Book I of The Well-Tempered Clavier.
Most editions notate it in 6/4; the 3/2 in this data gives the same bar length but a different feel to the beat. A long-breathed melody in the upper voice is imitated by the other parts, and the harmony shifts gradually at an unhurried pace. The notes run from C2 to C6, so 61 keys suffice.
Rated intermediate, it lasts about 2 minutes 13 seconds with 660 notes in this data. The note count is modest, but the melody moves between voices, so you must constantly decide which notes to bring out; finger substitution to keep the legato is another task. Slow the playback to hear the imitation between voices, and check the hand colours to see which hand has the melody, and the lines that need to sing become clear. Learning to hear how the melody passes between voices is also good preparation for the five-voice fugue that follows.
Bach's collection of preludes and fugues for keyboard, covering all 24 keys and regarded as the summit of contrapuntal writing.
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Sheet music provided by Mutopia Project
About the Composer
Johann Sebastian Bach (1685-1750)
Johann Sebastian Bach was the towering figure of German Baroque music, serving for decades as Cantor of St. Thomas Church in Leipzig. Renowned for his mastery of counterpoint, he laid the foundations of keyboard music with works such as The Well-Tempered Clavier and the Inventions. This site includes minuets and polonaises from the Notebook for Anna Magdalena Bach, the Inventions and Sinfonias, and fugues from The Well-Tempered Clavier. The Notebook pieces are catalogued with BWV Anh. (appendix) numbers, but many are by other composers - Petzold's minuets among them - or by no one known, and most of their song pages give the current view of who wrote them.
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