Description
The second of the four impromptus, D. 899. Where the first builds its span out of the transformation of a theme, here the continuously flowing figuration is itself the subject. In his last years Schubert brought the long breath of his songs into his piano music; in this piece that breath takes the form of a fast-running line.
In E-flat major and triple time, the right hand plays unbroken triplet figuration while the left supports in chords. The middle section turns abruptly to B minor with a forceful, springing theme that stands in contrast. At the end that minor theme returns, and the piece closes without resolving into the major. Some 3,100 notes fill about five minutes.
Its advanced rating reflects the stamina and evenness needed to sustain the running figuration for five minutes. Keep the fingers low, turning close to the keys. Put evenness ahead of speed, and let the line swell naturally where it rises to avoid monotony. The middle section is different in character altogether, and switching colour there is a decision that has to be made.
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About the Composer
Franz Schubert (1797-1828)
Franz Schubert was a Vienna-born composer who died at only 31 but left behind a vast body of work, especially in the field of Lieder. Known for his gift for melody and subtle modulation, songs such as "Erlkonig" remain widely performed today. His piano works, including the Impromptus, are equally rich in lyricism. This site includes the Impromptus, Opp. 90 and 142, and the "Hungarian Melody."
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