Description
The Harlem Rag is known as the first rag published by an African-American composer. Its author, Tom Turpin, was a St. Louis saloon keeper as well as a pianist and composer who helped shape early ragtime. The piece counts among the starting points of the genre.
It is in C major and 2/4. As is typical of ragtime, the left hand takes an accompaniment that alternates bass notes and chords, while the right hand plays a syncopated melody. Several strains take turns through the piece, unfolding 1,545 notes over about 3 minutes 12 seconds. The range runs from G1 in the bass to F6 at the top, 59 keys, but no octave shift fits it on the C2 to C7 of a 61-key keyboard, so 76 keys or more are needed.
It is an advanced piece that needs the independence to keep the left-hand leaps accurate while placing the right-hand syncopations against the beat. Lower the playback speed and use the hand colours to check where the left-hand bass notes and chords lie. Finish each strain separately with the A-B loop and then join them up, and you will be able to hold a steady rhythm across the whole piece.
Ragtime pieces centered on Scott Joplin's syncopated rhythms — a lively American genre that helped pave the way for jazz.
Browse all songs in Ragtime →Sheet Music
Sheet music provided by Mutopia Project
About the Composer
Tom Turpin (1871-1922)
Tom Turpin (1871-1922) was an American ragtime composer and pianist. His 1897 rag 'Harlem Rag' is considered the first ragtime composition published by an African American composer, an important milestone in music history. This site includes that piece along with one other.
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